Cleopatra Essay

The 1963 fritter away presents extravagance, opulence. The costumes worn were lucullan and the scene entering Rome portrays non the decadence of her life style, but that of the movie production. Furthermore, the 1963 film compared to the 1917 film which showed more hieroglyphics on the walls and columns which was the stereotypic look on of ancient Egyptian life. The budget of later adaptations would have been a factor. Nowadays television provides a practically easier and cost effective form of production.The some other considerations for the films and television programs over this period of snip is the becharm of the female in the creation as a whole. What difference do we try in the former of the cleaning woman Theda Bara at a time when females in the early 1900 were campaigning for the vote? When they were taking the main type in factories, and on land in all forms of manufacturing, during the two world wars. We then come to the jump of what can be called the mod ern women with Elizabeth Taylor.It could be argued that she is how we imagine Cleopatra to be. When you look at the videodisc case and the book of reputations presented to us for the first off assignment, are they not the eyes of Elizabeth Taylor? (AA cytosine Reputations Book). thusly on to Xena in which we have a black Cleopatra in the television adaptation, we see the female turn warrior but unchanging very feminine. (AA100 DVD). The view in the 1917 film I feel shows her as a dippy, demure and in some ship canal subservient female.As time moves on to the 1960 we see her as a stronger, forcible and intelligent being, but still plays the role to some extent of wife and paying back in mid-20th ascorbic acid society. The 21st century adaptation with Xena has had a great come to throughout the world on our view of Cleopatra. The use of television and the internet shows the power shift between male and females over the last 100 years in society shifting towards the female. In 1917 and 1963, Cleopatra appeared as a white Euro/American.Should she in fact have been played by psyche from Greece or North Africa? In conclusion to the comparison of Cleopatra over the the last 100 years on film and television, do we see her in a contrasting light? With more data acquirable it would be irresponsible not to take a more measured view of what we have learnt of her. She has changed from the dippy interpretation to the steely-eyed head of state.